Leda was daughter of the aetolian King Thestius and wife of King Tyndareus of Sparta.
Zeus took the form of a swan to seduce Leda.
In Greek tradition, the Swan is the symbol of the Muses. The swan also has erotic connotations, such as in the love affair between Zeus and Leda. Also, the Greek Goddess of Beauty and Love, Aphrodite, had a swan-drawn chariot. Besides The swan, as a symbol of music, is also dedicated to Apollo, who was said to transform into a swan.
Back to the retelling: Zeus and Leda had sexual relationships the same night she had slept with her husband.
Their consummation, on the same night as Leda lay with her husband Tyndareus, resulted in two eggs from which hatched the four children. (Zeus’ s and Tyndareus’).
According to later Greek mythology, Leda bore Helen (later known as Helen of Troy) and Polydeuces, children of Zeus, while at the same time bearing Castor and Clytemnestra, children of her husband and King of Sparta Tyndareus.
According to other sources, Nemesis, the Goddess of Revenge, produced the egg from which hatched the two sets of twins: Helen of Troy and Clytenmestra and the Discouri Castor and Pollux. Worth noting that these set of twins are supposedly from different fathers….
Clytenmestra and Helen were problematic women. The Trojan War will be provoked by the abduction of Helen.
And Clytemnestra will later on kill his own husband, Agamemnon and this is another incident related to the Trojan War.
Saying it briefly, the Greek Helen, the most beautiful woman in the world, was kidnapped by the Trojans, so the Greeks besieged the city of Troy; after the war, Clytemnestra, the wife of the Greek leader Agamemnon, murdered him, with teh help of her lover, Aegistus.
Leda’s twin-sons, Castor and (Polydeuces or) Pollux, were renowned for their tender attachment to each other. They were also famous for their physical accomplishments, Castor being the most expert charioteer of his day, and Pollux the coward brother.
Their names appear both among the hunters of the Calydonian boar-hunt and the heroes of the Argonautic expedition.
Zeus wished to confer the gift of immortality upon Polydeuces as he was his son but he refused to accept it unless allowed to share it with Castor.
Zeus gave the desired permission, and the faithful brothers were both allowed to live, but only on alternate days. Castor and Polydeuces, also known as The Dioscuri received divine honours throughout Greece, and were worshipped with special reverence at Sparta.
Leda also had other daughters by Tyndareus: Timadra, Phoebe and Philonoe.
►Reading: W. B. Yeats’ Poem “Leda and the Swan”:
►Analysis of W. B. Yeats’ Poem “Leda and the Swan”:
“Leda and the Swan” (1924) is a Petrarchan Sonnet (*), a traditional fourteen-line poem predominantly written in Iambic Pentameter (**). [See notes below].
The poet retells a story from Greek mythology, the rape of the Princess of Sparta, Leda by the god Zeus, who had assumed the form of a swan.
Yeats combines words indicating powerful actions (sudden blow, beating, staggering, beating, shudder, mastered, burning, mastered) with adjectives and descriptive words that indicate Leda’s weakness (“caressed”, “helpless”, “terrified”, “vague”, “loosening”). By doing this, he increases the sensory impact of the poem.
The first eight lines of “Leda and the Swan” describe the act of rape from Leda’s perspective. The ninth line, appropriately enough, ends the description of the sexual act.
The last six lines of the poem, then, narrate the consequences of the it, for Leda, personally, and those ones related to the Trojan War.
“Leda and the Swan” looks a little different than other sonnets. It has three stanzas and 14 verses.
But, verse 11 appears to be broken off into two lines. Yeats probably divided this verse in order to heighten the drama of Agamemnon being dead and to show how the poem shifts back to Leda’s perspective.
•The first stanza is characterized by violent beats and pauses.
•The second stanza shifts to more flowing lines as Yeats philosophically reflects on the events. The verses here are structured by the question “how,” and there are many adjectives (“terrified,” “vague,” “feathered,” “loosening,” “white,” “strange”).
•In the third stanza, the adjectives pile up as the poem builds to the solemn declaration, “And Agamemnon dead”.
The rhythm comes to a screeching halt as verse 11 is fractured over two lines, in order to reach emotional height. This stanza connects Leda’s hymenal wall with the walls of the city of Troy.
The last verses of the poem become calm again. Yeats returns to his percussive gentle beats, incorporating some alliteration (“brute blood”). Yeats will then wonder whether Leda, through her contact with Zeus, would be able to foresee how the result of their union—Helen—would bring about the fall of a great city. Hence, the poem ends with a rhetorical question, introduced as a sort of irresolvable doubt…
(*) The Petrarchan Sonnet is named after Petrarch, a 14th century Italian poet who made the form popular throughout Europe. Like all sonnets, the Petrarchan sonnet has 14 lines. Unlike all sonnets, it also has a major thematic shift after the eighth line. At this point, the poem introduces a new subject or shifts its perspective in some way.
(**) Iambic Pentameter is closely associated with Blank Verse, Iambic is an adjective. Iamb is the noun and is short for Iambus. Iambus is from the Greek and refers to two. Therefore, Iamb refers to a foot, or any two syllable“unit”, referred to as a foot by metrists, consisting of an unstressed syllable followed by a stressed syllable (or ictus). An example of Iambic Pentameter in Yeats’ poem “Leda and the Swan” is: “He holds her help-less breast u-pon his breast“.
►Gallery Of Paintings: “Leda and The Swan” (Leda and Zeus):
I would like to thank José Sala for nominating me for a Very Inspiring Blogger Award.
I also want to thank Optimista Blog for nominating me for a Versatile Blogger Award.
Last but not least thanks to Janet Wertman for nominating me for another Versatile Blogger Award.
Thanks to these three bloggers and please make sure to check out their blogs and to follow them, If you haven’t still done so!.~ :roll:
Note: For the three awards, I will nominate blogs I have recently came across and like, recent followers and/or plussers. Also, I am changing the logos so that way I can include new awards among mine… And, finally, I will follow the nomination process without answering questions or mentioning facts about me….
►Rules for these Three Awards:
♠ Thank the person who nominated you for the award.
♠ Add the logo to your post.
♠Nominate ten (10) bloggers you admire and inform your nominees by commenting on their blogs.
►I) Nominees~Very Inspiring Blogger Award (Monkey & Sunflower Version):
►II) Nominees~Versatile Blogger Award (Purple Version):
1. Carole Migalka 2. JoHanna Massey 3. Lightwalker’s Blog 4. Bibliobulimica 5. Life, the Universe and Lani 6. A Beautiful Mess 7. The Vanessa Chronicles 8. Allyson Lee Adams 9. Kerry’s loft 10. Mountaintop Talk.
►III) Nominees~Versatile Blogger Award (Bird Version):
1. Cadence4life 2. The Perceptions Square 3. Arwenaragornstar 4. The Chaos Realm 5. Shehanne Moore 6. Janet Wertman 7. Extravaganza Beading 8. Autumn Melody 9. The More I Learn the More I Wonder 10. Emily Lichtenberg.