►Greek Mythology: “Hera, Zeus’ Wife” / Poetry: “Two Poems”.-

“The Peacock complaining to Juno”, by Gustave Moreau (1881).

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Hera (Roman equivalent: Juno) was Zeus’ wife and sister, and was raised by the Titans Oceanus and Tethys. She was the supreme goddess, patron of marriage, family and childbirth, having a special interest in protecting married women. 

Hera, like her siblings, was swallowed by her father Cronos (Rhea‘s husband) as soon as she was born.

Zeus with the help of Metis later tricked Cronos into a swallowing a potion that forced him to disgorge his offspring.

The legitimate offspring of her union with Zeus are Ares (the god of war), Hebe (the goddess of youth), Eris (the goddess of discord) and Eileithvia (goddess of childbirth).  

Johann Jakob Bachofen (“An Investigation of the Religious and Juridical Character of Matriarchy in the Ancient [1861]), considered that Hera, was originally the goddess of a matriarchal people, presumably inhabiting Greece before the Hellenes. According to this author, her activity as goddess of marriage established the patriarchal bond of her own subordination.

Her sacred animals were the cow, the lion and the peacock, and she favoured the city of  Argos.

She is usually portrayed enthroned, and crowned with the polos (a sort of crown worn by several of the Goddesses.

 ►Three Myths featuring Hera.

•The Judgement of Paris:

Hera, Aphrodite and Athena were the three goddesses who all claimed to deserved the Golden Apple of Discord, introduced by  Eris in Peleus and Thetis‘ wedding. This golden apple was labeled “For the fairest one”). Zeus chose Prince Paris of Troy to decide who was the fairest. Still, Paris could not decide, as all three were ideally beautiful, so they resorted to bribes. Hera offered Paris control over all Asia and Europe, while Athena offered wisdom, fame, and glory in battle, and Aphrodite offered the most beautiful mortal woman in the world as a wife, and he accordingly chose her. This woman was Helen of Troy, who was already married to King Menelaus of Sparta. Paris abducted Helen and her abduction would lead to the Trojan War.

•Hephaestus, the son that Hera produced alone: 

Hera was jealous of Zeus’ giving birth to Athena, without recourse to her (actually with with Metis), so she gave birth to Hephaestus without him, though in some stories, he is the son of her and Zeus. Hera was then disgusted with Hephaestus’ ugliness and threw him from Mount Olympus. Hephaestus gained revenge against Hera for rejecting him by making her a magical throne which, when she sat on, did not allow her to leave. The other gods begged Hephaestus to return to Olympus to let her go, but he repeatedly refused. Dionysus got him drunk and took him back to Olympus on the back of a mule. Hephaestus released Hera after being given Aphrodite as his wife.

•Heracles, disowned by Hera and… the Milky Way: 

Hera hated Heracles, being the scapegoat of the illegitimate offspring sired by Zeus. Heracles was the son of the affair Zeus had with the mortal woman Alcmene.

Thus, Heracles’ existence proved at least one of Zeus’ many illicit affairs, and Hera usually conspired against him, as a revenge for her husband’s infidelities.

Fear of Hera’s revenge led Alcmene to expose the infant Heracles, but he was taken up and brought to Hera by his half-sister Athena, who played an important role as protectress of heroes.Hera did not recognize Heracles and nursed him out of pity. Heracles suckled so strongly that he caused Hera pain, and she pushed him away. Her milk sprayed across the heavens and there formed the Milky Way. But with divine milk, Heracles had acquired supernatural powers. Athena brought the infant back to his mother, and he was subsequently raised by his parents, who had originally named him Alcides, being Heracles a derivated name.

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“Juno Borrowing the Girdle of Venus” by Guy Head (1771).

“Hera in the House of Hephaistos William” by Blake Richmond (1902),

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 ►Gallery: “Hera, Zeus’ Wife”:

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Links Post:

http://en.wikipedia.org/wiki/Hera

http://www.greekmythology.com/Olympians/Hera/hera.html

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Click above to visit the blog / Click en el logo para ingresar al blog.~

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→On May 12th I had the honor to be part of a poetic challenge at La Poesía No Muerde, a great community blog of Poetry, hosted by Hélène Laurent. Please, make sure to also read the poems by Verónica, from En Humor Arte; José from Viajes al Fondo del ALSA and Johan from Johan Cladheart.

Later on, that same week a second poem written by me was also posted at La Poesía No Muerde. (May 15th).

You can check out the poems, in Spanish and translated to English, below… 

 

→ Se adjuntan dos participaciones poéticas, del 12 y 15 de Mayo, respectivamente, publicadas inicialmente en La Poesía no Muerde.

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 ►La Poesía No Muerde: “The Walking Chair” (Imagen encontró Poemas):

~“Auf Wiedersehen, Liebling”… (“Hasta pronto, querido”).~

 

Llevo mi silla a cuestas,

como la conciencia del amo en el esclavo

Mas la carga es semántica, 

por eso… el oprobio. 

 ~~~

Y las contradicciones, son ideológicas, 

cada tarde esperándome, 

se arremolinan en pantallas

Ovejas de otro rebaño.

 ~~~

Mis ventanas las abro de noche

para que las esperanzas florezcan de día.

Procuro que los ideales clavados en el cielo ideal

estallen contra las estructuras materiales.

~~~ 

Mas sólo en términos dialécticos

Mi silla potencial es sólo un bloque de madera

Qué importa el futuro si todos los días

se clavan en un cetro onmímodo.

 ~~~

Auf wiedersehen, Liebling...

Hilos de títere en sus vetas inertes, 

tejen implacables

oleajes de río… 

  ~~~

 ©2015 Amalia Pedemonte.-

 ►Originalmente publicado en:

 La Poesía No Muerde: “The Walking Chair” (Imagen encontró Poemas).

•~~~• ⭐ •~~~ • ⭐ •~~~• ⭐ •~~~• ⭐ •~~~• ⭐ •~~~•

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 ►La Poesía No Muerde: “Imagen encontró (¡Otro!) Poema”.

~”Fragmento de un Final”.~

Corola tallada de pétalos sin flor.
una hoja con ápice impermeable.
Eterna y seca primavera,
rivera incipiente, sutilmente verde.

Una furtiva mirada azul
sobre un camino oscilante,
surcos muertos, árboles vacíos de hojas.
Bajo el sol inagotable del mediodía interminable.

~~~ 

Réplicas de galerías.
Redundantes sonidos.
Las palabras que no dijimos
te hacen una reverencia.

~~~ 

Tus fantasmas esculpen mis recuerdos.
Soy todo lo que fui en tu cautiverio,
persistes, con codicia te acumulas.
A cada nombre me retiro, te invoco y te devuelvo.

~~~

Te conjuro, brisa efímera .
Nunca volverás a ser mi aire.
Escúrrete por la puerta de las sombras y el olvido
Deja de asediarme…

 ~~~ 

 ©2015 Amalia Pedemonte.-

 

 

►Originalmente publicado en:

La Poesía no Muerde: “Fragmento de un final”(Imagen encontró (¡otro!) poema).

•~~~• ⭐ •~~~ • ⭐ •~~~• ⭐ •~~~• ⭐ •~~~• ⭐ •~~~•

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 ► Last but not Least: Special thanks to Lisardo Sobrino Fernández for his poem Aquiles, on his blog, Tiempo de Letras.

©2015. Lisardo Sobrino Fernández. Click on the image.

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