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►Greek Mythology: “The Eleusinian Mysteries”:

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"Proserpine" (three-quarter portrait holding a pomegranate), by Dante Gabriel Rossetti (1874).-

“Proserpine / Persephone” (three-quarter portrait holding a pomegranate), by Dante Gabriel Rossetti (1874).-

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The Eleusinian Mysteries are related to a greek religious festival held each year at Eleusis, fourteen miles northwest of Athens. It  was celebrated in honor of the grain and fertility goddess Demeter (whose name means “spelt mother” being “spelt” is a variety of wheat.)

The festivity took place each year, when it was time for the crops to be sown, in the month of Boedromion (September).

It all stems from the myth of Demeter and her daughter Persephone

Demeter was the Greek Goddess of the Harvest, while Persephone was the Goddess of  wheats.

The conflict was originated when Hades, God of the Underworld, abducted Persephone and took her down into the underworld. 

After that, Demeter searched the world looking for her daughter, and while doing this, she neglected her duties and let the earth go barren. 

As she couldn’ t find her, she finally decided to rest by a well in the city of Eleusis. 

There, disguised as an old woman, she cared for the queen’s son, baptizing him nightly in fire so that he would be immortal. 

Demeter later on  taught the queen’s son, who was called Triptolemos, the art of agriculture.

As a reward for having protected the prince Triptolemos, eleusian citizens began to build a temple in their city, as a tribute to Demeter.

Demeter’s attempts to find her daughter were in vain. Besides Demeter’s grief, and plants were dried, the crops died and the earth turn out into something sterile

The gods were worried and Zeus, who had witnessed the abduction, finally intervened. 

He did by persuading his brother, Hades to return Persephone to her mother. Hades agreed but before that he made sure to tricked Persephone into eating some pomegranate seeds and, if one ate in the land of the dead, one remained with the dead. 

As she had only eaten some, however, it was agreed she would spend half the year with Hades in the underworld and half with her mother on earth. 

That’s why while Demeter remained on earth with her mother Demeter, she caused the world to be fruitful while when she was in the underworld with Hades, the plants withered and died; thus the seasons were explained.

Another interesting detail is that when Persephone was abducted by Hades in the underworld, her name was changed to Kore. When she emerged from the underworld she recovered her original name,  Persephone (“she who brings doom”).-

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•The Ceremonies: The Mysteries began with the march of the mystai (initiates) in solemn procession from Athens to Eleusis. The rites that they then performed in the Telesterion, or Hall of Initiation, were and remain a secret. 

Those who were to be initiated into the Eleusinian mysteries had to go through preliminary rites of purification and instruction before they would be allowed to participate in the final revelations at Eleusis. 

 The mysteries were divided into the Lesser and Greater mysteries.  

The Lesser mysteries were preparatory to the Greater, involving purifications and perhaps some instruction or other rites, and they were celebrated near Athens,  in the month of Anthesterion (March).

The initial stages involved physical rites which were preparatory for the spiritual rites at Eleusis  After a series of further ritual actions, the initiate was ready for the myesis, the first level of initiation.

The Greater Mysteries began on 14th Boedromion (September/October), when the “sacred things,” carried in baskets, were brought from Eleusis to Athens by the Eleusinian priestesses escorted by epheboi (young Athenians of military age).  The following day, the hierophant opened the festival, making an announcement (prorrhesis) that those “who are not of pure hands or speak an incomprehensible tongue,” that is, those stained by human blood and non-Greek speaking barbarians, were not permitted to participate.  Other than these exclusions, anyone–including slaves, foreigners, men and women–could participate in the mysteries. A procession, named the Sacred Way , began at Athens on the morning of 19th of Boedromion and ended that evening in Eleusis.

Priestesses brought back the sacred things, with a procession of dancing and chanting initiates, perhaps almost in state of ecstasy

Only the initiates were allowed to proceed further into the cult area, which was dedicated to Hades.  The mysteries took place in the Telestrion, a large building which could hold a few thousand people.  The only ones permitted to enter were the mystai, those entering for the first time, and the epoptai, for whom it would be at least their second experience.

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•Literary Sources and Philosophical Notes:

The mythical basis for many of the mystery rites are accounted for in the “Hymn to Demeter”, which is part of the Homeric Hymns collection of poems

Those ones are thirty-three anonymous ancient greek Hymns celebrating individual gods. The hymns are “Homeric” in the sense that they employ the same epic meter as “the Iliad, use many similar formulas and are couched in the same dialect.

In Plato’s dialogue “The Symposium” he overtly establishes an analogy to the mysteries at Eleusis near the end of Diotima’s speech (as relayed by Socrates), when he has her say that “even you, Socrates, could probably come to be initiated [myētheiēs] into these rites of love [erōtika].  But as for the purpose of these rites when they are done correctly–that is the final and highest mystery” (209e-210a). 

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“Blessed is the mortal on earth who has seen these rites / But the uninitiated who has no share in them never / Has the same lot once dead in the dreary darkness”. (“Hymn To Demeter”. Lines 480/482).-

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 ►Gallery: “The Eleusinian Mysteries, held  in honor of the grain and fertility goddess Demeter”:

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Triptolemos.-

Triptolemos.-

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►Links Post:
http://en.wikipedia.org/wiki/Eleusinian_Mysteries
http://www.ancient.eu.com/article/32/
http://www.classics.upenn.edu/myth/php/hymns/index.php?page=eleusis
http://www.theoi.com/Georgikos/EleusiniosTriptolemos.html
http://www.theoi.com/Gallery/O28.2.html
http://www.sacred-texts.com/cla/ebm/ebm05.htm#page_31
http://www.lsu.edu/artsci/groups/voegelin/society/2005%20Papers/Steven%20McGuire.shtml

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►Greek Mythology:

“Demeter, Goddess of the Harvest / Persephone, Queen of the Underworld”:

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"Persephone and Demeter Reunite" by Frederic Leighton, (1891).-

“Persephone and Demeter Reunite” by Frederic Leighton, (1891).-

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Demeter (Roman equivalent: Ceres) is often described as the greek goddess of the harvest, but she presided also over the sacred law, and the cycle of life and death.

She and her daughter Persephone were the central figures of the Eleusinian Mysteries of the Olympian pantheon.

Demeter’s greatest gifts to humankind were agriculture, particularly of cereals, and the Mysteries which give the initiate higher hopes in this life and the afterlife.

These two gifts were intimately connected in Demeter’s myths and mystery cults. In Homer’s “Odyssey” she is the blond-haired goddess who separates the chaff from the grain. Demeter’s emblem is the poppy.

Demeter’s virgin daughter was called Persephone (Roman equivalent: Proserpine) .

Zeus’s was not only Demeter’s father  but also Demeter, Poseidon and Hades‘ brother.

In one ocassion, Persephone was abducted to the underworld by Hades. Demeter searched for her for nine days and nights, preoccupied with her loss.

The seasons halted; living things ceased their growth, then began to die. Faced with the extinction of all life on earth, Zeus sent his messenger Hermes  to the underworld to bring Persephone back.

Hades agreed to release her, but gave her a pomegranate. When she ate the pomegranate seeds, she was bound to him for one third of the year, either the dry Mediterranean summer, when plant life is threatened by drought, or the autumn and winter. This myth explains the yearly cycle of growth, harvest, and winter. Persephone is related here to the sprouting seeds of springtime.

After her abduction by Hades she became his wife and Queen of the Underworld, six months of each year. The mint and pomegranate is sacred to her.

Persephone raised Aphrodite’s child Adonis. She was also known as Kore, “the Maiden”.∼

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"The rape of Proserpina" by Hans von Aachen (1586).-

“The rape of Proserpina” by Hans von Aachen (1586).-

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►Gallery: “Persephone, Demeter and Other Godess of the Underworld”:

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On the left: Greek Goddess Demeter. Roman equivalent: Ceres On The right: Greek Goddess Persephone. Roman equivalent:  Proserpine.-

On the left: Greek Goddess Demeter. Roman equivalent: Ceres
On The right: Greek Goddess Persephone. Roman equivalent: Proserpine.-

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emether, Persephone and Adonis (Aphrodite' son, who was raised by Persephone).-

Demether, Persephone and Adonis (Aphrodite’ son, who was raised by Persephone).-

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►Links Post:
http://gogreece.about.com/cs/mythology/a/blmythdemeter.htm
 http://gogreece.about.com/cs/mythology/a/mythpersephone.htm
http://ancienthistory.about.com/cs/grecoromanmyth1/g/persephone.htm
 http://en.wikipedia.org/wiki/Pomegranate
http://ancienthistory.about.com/cs/demeterceresmyth/a/demeterbrothers.htm
http://www.greekmythology.com/Other_Gods/Persephone/persephone.html
http://www.classics.upenn.edu/myth/php/tools/dictionary.php?regexp=PERSEPHONE&method=standard

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►Last but not Least: Three Awards: 

I) Mi amiga blogger Bella@Espíritu desde su blog homónimo me ha nominado para un Premio Dardos. Mil Gracias, Bella  :P

►Aquí están las reglas del Premio:

1) Ubicar el logo del Premio Dardos en el blog.

2) Nominar a otros quince (15) bloggers, enlazando a sus respectivos blogs e informándolos de la nominación.

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Premio Dardos.-

Premio Dardos.-

Mis quince (15) nominados para este premio son:

1. Literariedad 2. Cronopia vacía 3. El Mundo de Timeo 4. La gran belleza 5. La piedra translatofal 6. Rafael Carpintero 7. Ivan Ortíz 8. Dinelia 9. Jaque al arte 10. Deimos y Phobos 11. Yakuza Webzine 12. Fiore Rouge 13. Pensamientos complejos 14. Variedad Asimétrica 15. Diario de un  perdedor.

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II) Dinelia from “Palabras sosegadas” nominated for a Versatile Blogger Award. Thanks a lot, Dinelia :D

►Here are the Award Rules:

1) The nominee shall display the Liebster Award logo on her/his blog.

2) The nominee shall nominate ten (10)  bloggers she/he admires, by linking to their blogs and informing them about it.

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Versatile Blogger Award.-

Versatile Blogger Award.-

And these are my ten (10) nominees for this award:

1. Elizabeth Melton Parsons 2. Inesemjphotography 3. Shehanne Moore 4. Enrico Garrou 5. 6. Teagan’s books 7. Stockreserach52’s blog 8. En Humor Arte 9. Autumn of Life 10. yabakientelbaki

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III) My blogger friend Inese from “Inesemjphotography” nominated for a Very Inspiring Blogger Award. Thank you dear Inese :)

►Here are the Award Rules:

1) The nominee shall display the Liebster Award logo on her/his blog.

2) The nominee shall nominate ten (10)  bloggers she/he admires, by linking to their blogs and informing them about it.

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Very Inspiring Blogger Award.-

Very Inspiring Blogger Award.-

►My ten (10) nominees for this award are:

1. Author Miranda Stone 2. Bella@Espíritu 3. Margaret Lynette Sharp 4. The Journal of Wall Grimm 5. Behind the white coat 6. Life in Kawagoe 7. Espace perso Monick 8. Tales of Love and Life 9. Marie Jeanne 10. Acasadisimi 

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Thanks for dropping by. Best wishes to everyone, Aquileana :D

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►Mythology / Philosophy: 

“The Lost City of Atlantis”, according to Plato’s dialogues “Timaeus” and “Critias”:

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Plato’s two dialogues pertaining to Atlantis are “Timaeus” and “Critias”, written in 360 BC. These are the earliest known written records about the Lost Continent of Atlantis, all other written references to Atlantis have been written since, and have been based on these writings by Plato.

“Timaeus” and “Critias” are actually written in the form of dialogues between four main characters: Socrates (Greek philosopher, and Plato’s teacher), Critias (poet & historian), Timaeus (an Italian astronomer.), and Hermocrates (a general from Syracuse). All were real people.

The dialogue “Timaeus” includes only a passing reference to Atlantis, but the second writing, the Critias, has a much more in depth description of Atlantis leading upto it’s downfall. 

The fabled island-continent derives its name from the Titan Atlas. It was said to be out beyond the western headland where the immortal giant holds up the heavens by means of a pillar on his back.

•The Atlantis, as described by Plato:

Plato told the story of Atlantis around 360 B.C.

According to Plato, Atlantis was the domain of Poseidon, god of the sea. When Poseidon fell in love with a mortal woman, Cleito, he created a dwelling at the top of a hill near the middle of the island and surrounded the dwelling with rings of water and land to protect her.

Cleito gave birth to five sets of twin boys who became the first rulers of Atlantis. The island was divided among the brothers with the eldest, Atlas, first King of Atlantis, being given control over the central hill and surrounding areas.

At the top of the central hill, a temple was built to honor Poseidon which housed a giant gold statue of Poseidon riding a chariot pulled by winged horses. It was here that the rulers of Atlantis would come to discuss laws, pass judgments, and pay tribute to Poseidon.

The founders of Atlantis, he said, were half god and half human. They created a utopian civilization and became a great naval power. Their home was made up of concentric islands separated by wide moats and linked by a canal that penetrated to the center. The lush islands contained gold, silver, and other precious metals and supported an abundance of rare, exotic wildlife. There was a great capital city on the central island.

For generations the Atlanteans lived simple, virtuous lives. But slowly they began to change. Greed and power began to corrupt them. When Zeus saw the immorality of the Atlanteans he gathered the other gods to determine a suitable punishment and destroy them.

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•Destruction of the Atlantis:

The most popular theories as to the destruction of Atlantis are exactly what Plato described, earthquakes and floods. The floods more than likely attributable to the tidal waves that would have been caused by the earthquakes. 

Another theory is that there was a volcano on the island that errupted with such force that the island was buried in molten lava. 

For Plato, Atlantis was an island, supposedly the size of Libya and Asia Minor combined, located in the Atlantic beyond Gibraltar and due to its central position a stepping stone by which travelers could reach other islands and the opposing land mass.

•Where was the city of Atlantis placed?:

There are many theories about where Atlantis was—in the Mediterranean: Thera,  Chales Pellegrino and Walter Friedrich, Cyprus (Robert Sarmast ), Central or South America (Ivar Zapp and George Erikson ) even under what is now Antarctica (Colin Wilson). [Note: You can check out ten possible locations here].

Many believe that Plato was basing his account of Atlantis on the history of the Minoan civilization, which would coincide well with these new dates. The history of the Minoan civilization and the description of Atlantis have a suspicious amount in common at any rate.

Ballard says, the legend of Atlantis is a “logical” one since cataclysmic floods and volcanic explosions have happened throughout history, including one event that had some similarities to the story of the destruction of Atlantis. About 3,600 years ago, a massive volcanic eruption devastated the island of Santorini in the Aegean Sea near Greece. At the time, a highly advanced society of Minoans lived on Santorini. The Minoan civilization disappeared suddenly at about the same time as the volcanic eruption.

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►”The Atlantis: Hypothetical Locations” (Map Gallery):

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►The Atlantis in Plato’s dialogues “Timaeus” and “Critias”.

(Read the relevant excerpts):

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►Check out “Timaeus” excerpts with regard to the Atlantis: Click Here.

►Check out “Critias”‘ excerpt with regard to the Atlantis: Click Here.

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►Bonustrack: Video: “Atlantis by artist Monsu Desiderio”:

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►Links Post:
http://www.mythweb.com/encyc/entries/atlantis.html
http://science.nationalgeographic.com/science/archaeology/atlantis/
http://www.mcmillinmedia.com/atlantean-geography/
http://unxplained-factor.com/critias.htm
http://unxplained-factor.com/timaeus.htm
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►Last but not Least: Two Awards: 

Kolytyi from “Trifles” nominated me  for a Liebster Award. Thank you very much, dear blogger friend :D

►Here are the Award Rules:

1) The nominee shall display the Liebster Award logo on her/his blog.

2) The nominee shall nominate eleven (11)  bloggers she/he admires, by linking to their blogs and informing them about it.

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Liebster Award.-

Liebster Award.-

 These are my eleven nominees for this award:

1) Kev´s Blog  2) En Humor arte 3) Autonomía en las formas 4Jet Eliot 5) London Senior 6) Unclee Tree 7Brushespapers 8) The Passion Dew 9) A solas con Caronte 10) Animasmundi11) Blog de Javier

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My  blogger friend, Caronte Moratalla from “A solas con Caronte” and my dear friend Verónica from “En Humor Arte” have both nominated me for the same award. Thanks a lot :)

►Here are the Award Rules:

1) The nominee shall display the Premio sin premio logo on her/his blog.

2) The nominee shall nominate ten (10)  bloggers she/he admires, by linking to their blogs and informing them about it.

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Premio Sin Premio

Premio Sin Premio.-

  These are my ten nominees for this award:

1) Chesterton Blog 2) Sweet as a picture 3) Isaspi 4) Word Musing 5) A little bird tweets 6) Angelart Star 7) Imaginecontinua 8) Cruz del Sur 9) Diwata in Lalaland 10) Si vis pacem para bellum.

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Thanks for dropping by, fellow bloggers. Happy Thursday and best wishes, Aquileana/Amalia :D

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►Greek Mythology and Philosophy:

“The Dichotomy Apollonian -Dionysian”, according to Friedrich Nietzsche:

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Apollonian and Dionysian are terms used by Nietzsche in his book “The Birth of Tragedy” to designate the two central principles in Greek culture. 

Apollo was the son of zeus and Leto. Artemis was his twin sister. He was the greek god of prophecy, music, intellectual pursuits, healing, plague, and sometimes, the sun.

Writers often contrast the cerebral, beardless young Apollo with his half-brother, the hedonistic Dionysus.

As to Dionysus, he was the son of Zeus and Semele. Dionysus was the greek god of wine, agriculture, and fertility of nature. He was also related to mystery religions, such as those practised at Eleusis, being linked to ecstasy and initiation into secret rites.

Apollo, as the sun-god, represents light, clarity, and form, whereas Dionysus, as the wine-god, represents drunkenness and ecstasy.

The Apollonian, which corresponds to Schopenhauer’s principium individuationis (“principle of individuation”), is the basis of all analytic distinctions.

Everything that is part of the unique individuality of man or thing is Apollonian in character; all types of form or structure are Apollonian, since form serves to define or individualize that which is formed; thus, sculpture is the most Apollonian of the arts, since it relies entirely on form for its effect. Rational thought is also Apollonian since it is structured and makes distinctions.

The Dionysian, which corresponds to Schopenhauer’s conception of “Will”, is directly opposed to the Apollonian.

Drunkenness and madness are Dionysian because they break down a man’s individual character; all forms of enthusiasm and ecstasy are Dionysian, for in such states man gives up his individuality and submerges himself in a greater whole: music is the most Dionysian of the arts, since it appeals directly to man’s instinctive, chaotic emotions and not to his formally reasoning mind.

“Dionysian spirit” is defined in the philosophy of Nietzsche, as displaying creative-intuitive power as opposed to critical-rational power.

But, both of them, the Apollonian and the Dionysian are necessary in the creation of art. Without the Apollonian, the Dionysian lacks the form and structure to make a coherent piece of art, and without the Dionysian, the Apollonian lacks the necessary vitality and passion. Although they are diametrically opposed, they are also intimately intertwined.

The Greek tragedies of Aeschylus and Sophocles, which Nietzsche considers to be among humankind’s greatest accomplishments, achieve their sublime effects by taming Dionysian passions by means of the Apollonian. Greek tragedy evolved out of religious rituals featuring a chorus of singers and dancers, and it achieved its distinctive shape when two or more actors stood apart from the chorus as tragic actors. The chorus of a Greek tragedy is not the “ideal spectator,” as some scholars believe, but rather the representation of the primal unity achieved through the Dionysian. By witnessing the fall of a tragic hero, we witness the death of the individual, who is absorbed back into the Dionysian primal unity. Because the Apollonian impulses of the Greek tragedians give form to the Dionysian rituals of music and dance, the death of the hero is not a negative, destructive act but rather a positive, creative affirmation of life through art.

Unfortunately, the golden age of Greek tragedy lasted less than a century and was brought to an end by the combined influence of Euripides and Socrates. Euripides shuns both the primal unity induced by the Dionysian and the dreamlike state induced by the Apollonian, and instead he turns the Greek stage into a platform for morality and rationality.

One of Nietzsche’s concerns in “The Birth of Tragedy” is to address the question of the best stance to take toward existence and the world. He criticizes his own age for being overly rationalistic, for assuming that it is best to treat existence and the world primarily as objects of knowledge, which is for him meaningless.

Greek tragedy as Nietzsche understands it cannot coexist in a world of Socratic rationality.

Tragedy gains its strength from exposing the depths that lie beneath our rational surface, whereas Socrates insists that we become fully human only by becoming fully rational.

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Dionysus (on the right side).-

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Check out: “The Birth of Tragedy (1872), by Friedrich Nietzsche”:

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Click on the cover book to read it.-

Click on the cover book to read it.-

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"Apollo Playing the Lyre" by Charles Philippe Lariviere.-

“Apollo Playing the Lyre” by Charles Philippe Lariviere (1825/1830).-

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"Dionysus drunk by Tsarouchis (1972).-

“Dionysus drunk by Yannis Tsarouchis (1972).-

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►Links Post:
http://www.sparknotes.com/philosophy/nietzsche/section1.rhtml
http://en.wikipedia.org/wiki/The_Birth_of_Tragedy
http://www.mlahanas.de/Greeks/Mythology/Dionysus.html
http://www.theoi.com/Olympios/Apollon.html
http://ancienthistory.about.com/od/apollomyth/ig/Apollo/Apollo-and-Other-Olympian-Gods.htm
http://mythologian.net/apollo-the-god-of-sun-music-prophecy-and-healing/

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►Mythology:

“Dionysus, Greek God of Wine and Fertility”:

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"The Youth of Bacchus (Dionysus)" by William-Adolphe Bouguereau (1884).-

“The Youth of Bacchus (Dionysus)” by William-Adolphe Bouguereau (1884).-

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Dionysus, also commonly known by his Roman name Bacchus and sometimes Liber, appears to be a god who has two distinct origins.

On the one hand, Dionysus was the god of wine, agriculture, and fertility of nature.

On the other hand, Dionysus also represents the outstanding features of mystery religions, such as those practiced at Eleusis: ecstasy, personal delivery from the daily world through physical or spiritual intoxication, and initiation into secret rites. 

He was son of the king of the Greek gods, Zeus, and Semele, the mortal daughter of Cadmus and Harmonia of Thebes. Dionysus is called “twice born” because of the unusual manner in which he grew: not only in a womb, but also in a thigh.

►Dionysus’ Birth:

Hera, queen of the gods, jealous because her husband was playing around (again), took characteristic revenge: She punished the woman. In this case, Semele.

Zeus had visited Semele in human form, but claimed to be a god. Hera persuaded her that she needed more than his word that he was divine. Zeus knew the sight of him in all his splendor would prove fatal, but he had no choice, so he revealed himself. His lightning brightness killed Semele, but first, Zeus took the unborn from her womb and sewed it inside his thigh. There it gestated until it was time for birth.

►Companions of Dionysus:

Dionysus is usually shown in the company of others who are enjoying the fruit of the vine. Silenus or multiple sileni and nymphs engaged in drinking, flute-playing, dancing, or amorous pursuits are the most common companions.  

Depictions of Dionysus may also include Maenads, the human women made mad by the wine god. 

Silenus is a woodland creature from Greek mythology who is part man and part animal, and a companion of Dionysus. He is shown with horse ears and sometimes horse legs and tail.

The Nymphs of Nysa raised the infant Dionysus on Mt. Nysa. Later on, they became his followers. They appear in the Homeric Hymn to Dionysus. Unlike the human Maenads, another group of female followers of Dionysus, the nymphs follow him willingly and without madness. 

He is usually ivy-wreathed and wears a chiton and often an animal skin. Other attributes of Dionysus are wine, vines, ivy, panthers, leopards, and theater.

Writers often contrast Dionysus with his half-brother Apollo. Where Apollo personifies the cerebral aspects of mankind, Dionysus represents the libido and gratification.

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Dionysius (details on ancient greek vases).-

Dionysius (details on ancient greek vases).-

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"The Boy Bacchus" Detail of the painting with grapes ornamenting the head of Bacchus (Dionysus) by  Guido Reni

“The Boy Bacchus” Detail of the painting with grapes ornamenting the head of Bacchus (Dionysus), by Guido Reni.-

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"Bacchus" by Michelangelo Merisi da Caravaggio (1595).-

“Bacchus” by Michelangelo Merisi da Caravaggio (1595).-

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►Links Post:
http://www.pantheon.org/articles/d/dionysus.html 
http://www.theoi.com/Olympios/Dionysos.html 
http://ancienthistory.about.com/library/bl/bl_text_homerhymn_dionysus2.htm
http://ancienthistory.about.com/od/dionysusmyth/g/092509NymphsNysa.htm

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greekborder

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 ►Last but not Least: Two Awards:

I) My italian blogger friend Omar from Ramo Di Parole has nominated me for a Very Inspiring Blogger Award. Tante Grazie, caro Omar :D

►Here are the Awards Rules:

1) The nominee shall display the Very Inspiring Blogger Award logo on her/his blog.

2) The nominee shall nominate fifteen (15) bloggers she/he admires, by linking to their blogs and informing them about it.

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Very Inspiring Blogger Award.-

Very Inspiring Blogger Award.-

►Here are my fifteen (15) nominees for this award:

1. Poet Smith 2. Inese Photo 3. The echo of the whole sea 4.  A window into the woods 5. A journey of faith 6. Pavement stories 7. A pondering mind 8. T Ibara Photo 9. Desirée Jiménez 10. A curious gal 11. Not a Punk Rocker 12. The task at hand 13. Taking one day at a time 14. Wing of dreams 15. Crazy guy in Thailand 

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II) Mi amiga blogger Desirée Jiménez desde Atrevo la Palabra me ha nominado para un Premio Dardos. Mil Gracias, Desirée :P

►Aquí están las reglas del Premio:

1) Ubicar el logo del Premio Dardos en el blog.

2) Nominar a otros quince (15) bloggers, enlazando a sus respectivos blogs e informándolos de la nominación.

___________________________________________________________________________________________________

Premio Dardos.-

Premio Dardos.-

► Mis quince (15) nominados para este premio son:

1. En Humor Arte 2. I lost my lens cap 3.Té con sal 4. A solas con Caronte 5. Sendero blog 6. Bella espíritu 7. Ramo di parole 8. Fábula Gótica 9. Rotze Mardini 10. El tiempo habitado 11. Los sentidos de la vida 12. Arcilla y Fuego 13. Lo que ahora mismo pienso 14. Francisco Javier Tostado 15. Ser nosotros mismos.

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